Guilloché is a term that encompasses the technique and machines that engrave or impart artistic designs onto precious metals or items using a straight cut or chiseling motion. Chris uses any combination of these techniques to decorate
the rings and endcaps of his flutes.
The machines that accomplish this can be divided into three types, two of which have been around for many hundreds of years.
The Rose Engine
This Rose Engine was made by Jean Gnagi, Chaux de Fonds, Switzerland in 1871. It found its way to the Jewellery quarter in Birmingham and then eventually to Chris.
Rose Engines have been around for hundreds of years. Examples of their work can be found on many old flutes, including Rudall and Rose. They impart beautiful patterning upon the sides and ends of cylinders through a
single cutting tool. Although this is done using a machine, a good deal of skill and patience is required to produce good work . Most of the intense effort for Chris was getting the machine to run true (he had been told that
it was left in bits before the second world war). Chris had to make missing parts and then assemble the machine before constructing the three flute specific bronze rosettes that he uses to generate patterns.
Straight Line Engine
This machine was made by George Plant of Harborne, Birmingham, around the year 1920. It is an adaptation of the Rose engine for producing patterns on flat surfaces. Chris only uses this machine in flute work for doing a "starburst"
effect on silver endcaps.
This machine was made by M.J. Brohen and sons, in Attleboro, U.S.A. probably in the 1920's. It is the most difficult to use of the three guilloché engines that Chris uses. Getting good results requires a great deal of artistry
and patience both in constructing the tooling and cutters, but most of all designing, then constructing the patterns that are used to produce the designs. More information on this process can be found at the bottom of this
Here is an excellent explanation of Guilloché by a very skilled professional.
Examples of Rose Engine work
Example of Straight Line work
Examples of Brocade Engine work
Making Rose Engine "rosettes"
These are the "master" patterns used on Rose engines and comprise of a bronze ring with a series of waves machined around the sides and front. They define the shape of the "wave" (its amplitude and shape of curve) and its
density (how many of these waves go around the object that is being engraved). Because flutes are all around a certain diameter, "rosettes" need to be formed to match that size so that the patterns appear correct and distinguishable.
A section of sawn bronze pipe machined out on the lathe to the finished outside dimensions
Machining the wave
Finished rosette prior to fitting on the Rose engine
Finished rosette mounted on Rose Engine
Making a Brocade master cylinder
Brocade Engines employ two types of master patterns, a disc and a cylinder. The disc pattern produces just one form of its pattern, but the cylinder, through gearing can produce many more. In this section, Chris shows how he made
a cylinder pattern based on a 8-9th century Anglo Saxon cross that he found in the British Museum.
Chris found this wonderful object in the British museum. It is the remains of an 8-9th century Anglo Saxon cross found at Lowther in the Lake District.
The design is controlled by the diameter of the finished pattern roll. Here elements of the original design are experimentally fitted onto a projected circumference of the roll.
A nylon holder for the clay was made twice full size. Clay was layed out in the bottom and then levelled using thickness templates. A tracing of the design is placed on top and the outline pricked through with a pin.
The pattern is then created by hand using clay. Chris did this by hand in order to get a human feel to the design. It may have been possible to create this on Chris's CNC router, but this might have appeared too "wooden".
Master template on pantograph with roll attachment
A latex mould of the clay design was made. From that, a hard nylon pattern was created. This was set up on a three dimensional pantograph with a roll attachment.
Bronze blank machined
A long time was then taken working the bronze pattern using hand engravers under the microscope.
Finished Roll in place
Making Brocade master discs
Chris has copied old discs and made new ones on his small CNC router.
Original Brocade pattern disc
This is a beautiful original brass pattern disc probably used to engrave powder compacts. It was kindly loaned to Chris by David Wood-Heath.
Wilkes pattern disc
This pattern disc was made by Chris on his small CNC router. Custom discs can be made to produce designs or writing that can be used to engrave the tops of end caps or the side of rings.
Disc pattern engraving on rings
This picture illustrates what Pattern discs can accomplish on the side of rings
Testing and practice
Chris has a lot to learn about this machine. A lot of practice and testing is necessary....
Chris would like to thank Jeremy Soulsby, David Wood-Heath and Peter Williams for all of their help .
Interested in Guilloché?
The Society of Ornamental turners : http://www.the-sot.com.